Archive

Tag Archives: 한글

 

The Korean Constitutional Court ruled 6-3 that the limits on Chinese characters permitted in personal names (人名用漢字, 인명용 한자) are constitutional. These restrictions were first introduced in 1990, as family records maintained by the government were being digitized. The original list only included 2,731 characters. Over the years, the Court has gradually increased the number of permissible characters to 8,142 characters as of last year. Korean Family Law specifies that only Hangul and “commonly used” Chinese characters are permitted in personal names and that the Constitutional Court is to define which characters are allowable.

The restrictions on Chinese characters allowed in personal names was very controversial when first introduced and has been challenged a number of times ever since. In the most recent case, the challenger attempted to use the character 嫪(로) (“to long for”) to name their child. Since the character was outside the list of permitted characters, they were only allowed to record the name in Hangul. The family sued and argued that the restrictions on characters are unconstitutional, because they are a restraint on the freedom to name one’s child and their right to pursuit of happiness.

The majority of the Court, however, disagreed and concluded that the restrictions are constitutional. They noted that the number of people who do not know Chinese characters has increased, and that using rare characters will lead to errors in keeping digital records and recognizing people’s names, causing inconvenience for people with complicated names. The majority added that restrictions on Chinese characters permitted in personal names are “unavoidable” due to technological constraints. The minority countered, pointing out that any such constraints in digitizing records that might have been true in 1990 are no longer existent.

Currently, if any part of a name is not one of the Chinese characters on the list, then it is considered a “pure Hangul” name. Korean identification cards in such instances will only give the Hangul transcriptions, not Hanja and Hangul mixed. As such, although the percentage of Koreans with “pure Hangul” names has been reportedly increasing, this figure might be inflated. A subset of such names are intended to be combinations of “pure Korean” and Chinese characters. Earlier this year, a couple tried registering their daughter’s name as “贇별(윤별).” Even though 贇 is on the list of permissible characters, the couple was forced to register only in Hangul, because it was a mix of Hangul and Hanja. Another subset are cases like the one above, in which at least one character in the name is not on the list of permitted characters. The vast majority of Korean names are still entirely in Hanja.

(On a related note, I would like to also point out that “pure Korean” names in use now, while sometimes haughtily presented as “traditional,” are not anything like actual, historically used “pure Korean” names.)

Sources:

(Source)

Hangul nationalists protesting at the Korean Constitutional Court, which held a public hearing on the Korean government’s “Hangul-Only” Policy dating back to the military dictatorship period. (Source)

Introduction

One rhetoric that is often employed by Korean Hangul supremacists against Hanja is that Chinese characters are somehow a Japanese legacy. Just to give to examples, the statistic that Sino-Korean words account for 60-70% of the Korean vocabulary is routinely denounced as a Japanese fabrication implanted by the Japanese colonial administration and Hanja-Hangul mixed script is often condemned as a Japanese creation imposed upon the Korean populace — presumably because of its similarity to modern Japanese orthography. While both are demonstrably false, this type of rhetoric is so common that one could easily come away with the impression that Hanja is a Japanese creation from reading their materials.

More distressingly, these baseless assertions can be found from people of relatively respectable positions in Korean society. One notable example is the head of the Hangul Society (한글학회), one of the most influential and well-established Korean language associations, who shares similar sentiments:

한자병기는 일제가 심어 놓은 민족의식 말살 교육정책의 찌꺼기. 지금 일본이 큰소리치는 것은 한국을 너무 잘 알기 때문이다. 일본이 가르친 대로의 친일의 뿌리가 득세하고 있기 때문이다. 한글 관련 사업을 좀 해보려고 하면 친일세력들이 들어와서 판을 흐트려 놓는다…

Hanja-Hangul mixed script is a leftover of the educational policy planted by the Japanese to obliterate our racial identity. Right now, the Japanese shout so loudly because they know Korea very well. It is because the pro-Japanese collaborators who have done as the Japanese have taught them have gained power. If you intend to work on Hangul-related manners, these powerful pro-Japanese collaborators will shake you down…

Remember, this is not some random troll in a dark corner of the Internet. This is the head of a major Korean language association spewing conspiratorial rantings. And he is not an isolated case. Hangul supremacists can be found at protests screaming at the top of their longs accusing those who want to expand Hanja education as being pro-Japanese collaborators. Professors from top universities give interviews on television shows stating the same, minus the hyperventilation.

Ironically, Hangul supremacists will not condemn actual collaborators that they perceive contributed to the advancement of Hangul. No, they brazenly genuflect in front of them. For instance, they praise Yi Gwangsu (李光洙, 이광수, 1892-1950) for being the “Father of Modern Korean Literature” and one of the earliest proponents of the “pure Korean script.” Hangul supremacists happily overlook the fact that he was a zealous supporter of Japanese policies for assimilating Koreans. Even hyper-nationalist North Korea does not mind his collaborations with the Japanese colonial government, and has enshrined him at a cemetery in Pyongyang with other Korean independence activists.

This dissonance partly has to do with their view that Hangul is an embodiment of “pure” Korean-ness, under which the fact that the Japanese would have had any hand in the script is unfathomable. Any efforts to aid Hangul is deified and any attempts at expanding Hanja is unforgivable perfidy.

A Brief History of the Development of Korean Spelling Rules

But Hangul too has been heavily influenced by Japanese colonial rule. To get of sense of the degree of influence, today’s Korean spelling rules are almost identical from the ones promulgated by the Japanese colonial General Government. (While this fact might be lost on many Hangul supremacists, most Korean sources on this subject do not deny this.) A look at how Korean spelling developed from its inception through the early modern period will make this point evident.

Dongguk Jeongun

A Chinese character dictionary arranged by tone and rime, the Proper Rimes of the Eastern Country (東國正韻, 동국정운) was one of the very first works published in the Korean alphabet. The still-in-use ㅉ and now-obsolete ㆆ (glottal stop) were originally intended for transcribing Korean and Mandarin pronunciations of Chinese characters. (Source)

Korean Spelling from King Sejong to the Late 19th Century

In 1446, King Sejong introduced Hangul with the publication of Proper Sounds to Instruct the People (訓民正音, 훈민정음). This work laid out twenty-eight letters. In order, they were:

  • Consonants (17): ㄱ (g), ㅋ (k), ㆁ (ng), ㄷ (d), ㅌ (t), ㄴ (n), ㅂ (b), ㅍ (p), ㅁ (m), ㅈ (j), ㅊ (ch), ㅅ (s), ㆆ (ʔ, glottal stop), ㅎ (h), ㅇ (null), ㄹ (r/l), and ㅿ (z).
  • Vowels (11): ㆍ (aw), ㅡ (eu), ㅣ(i), ㅗ (o), ㅏ (a), ㅜ (u), ㅓ (eo), ㅛ (yo), ㅑ (ya), ㅠ (yu), and ㅕ (yeo)

The work also explicated how each letter is to be pronounced and how the letters are to be combined to form syllable blocks. It even specified provisions for sounds that did not exist in native Korean, but Sino-Korean and vernacular Chinese (e.g., ㅱ for “w”). The Proper Sounds, however, did not give any detailed spelling rules. Its examples assumed that Korean would be spelled phonemically using the new alphabet (i.e., how they sounded). The only concrete spelling rule it proscribed was the Eight Terminal Consonants Rule (八終聲可足用, 팔종성가족용). Under this rule, only ㄱ, ㆁ, ㄷ, ㄴ, ㅂ, ㅁ, ㅅ, and ㄹ were to be used in the terminal position of a syllable (받침).

After the Proper Sounds, the next seminal work on Korean spelling the Collection of Chinese Characters to Teach the Ignorant (訓蒙字會, 훈몽자회) published in 1527 by Choe Sejin (崔世珍, 최세진, 1468-1542). The Collection of Characters systematically listed some 3,360 Chinese characters by their Korean pronunciations and meanings. Although published eighty-one years later, the work laid out different spelling rules than those of the Proper Sounds. For example, the letter ㆆ had dropped out, the distinction between ㅇ and ㆁ was lost, and some of the specific provisions for Sino-Korean and vernacular Chinese sounds were absent. It also added new rules and provisions to Korean, such as listing the alphabet in a different order with names:

  • Voiceless Consonants: ㄱ(其役, 기역), ㄴ(尼隱, 니은),ㄷ(池末, 디귿), ㄹ(利乙, 리을), ㅁ(眉音, 미음), ㅂ(非邑, 비읍), ㅅ(時衣, 시옷), and ㆁ(異凝, 이응)
  • Voiced Consonants: ㅋ(箕, 키), ㅌ(治, 티), ㅍ(皮, 피), ㅈ(之, 지), ㅊ(齒, 치), ㅿ(而, ㅿㅣ), ㅇ(伊, 이), and ㅎ(屎, 히)
  • Vowels:  ㅏ(阿, 아), ㅑ(也, 야), ㅓ(於, 어), ㅕ(余, 여), ㅗ(吾, 오), ㅛ(要, 요), ㅜ(牛, 우), ㅠ(由, 유), ㅡ(應, 응),ㅣ(伊, 이), and · (思, ㅅ·)

The Collection of Characters, however, maintained some of the rules as laid out in the Proper Sounds. It kept the Eight Terminal Consonants Rule and still assumed that Korean was to be spelled phonemically.

In the subsequent three centuries, Korean spelling rules only saw incremental changes, largely aligning with changes in how Korean was spoken. Some of the changes included:

  • Disuse of the letter ㅿ and ㆁ
  • Adding of ㅺ, ㅼ, ㅽ, ㅾ, and ㅄ for tense sounds (된소리), which probably did not exist in 15th century Korean (while ㄲ, ㄸ, ㅃ, ㅆ, and ㅉ did exist, they did not originally denote those sounds)
  • Disuse of  ㄷ as a terminal sound (solely using ㅅ) by a substantial number of Korean writers

One characteristic that did not change was that Korean throughout this period was still spelled phonemically, although there were discrepancies between the spelling and pronunciation.

Ahakpyeon

Published in 1908, the Book for Teaching Children (兒學編, 아학편) listed definitions of Chinese characters in Korean, Japanese, and English and also pronunciations of the Japanese, Mandarin, and English words in Hangul. Note the use of “ᅋ” (f) to spell “father,” “female,” and “wife.” Koreans today often make fun of themselves not being able to spell (or pronounce) English “f” and “v” sounds. Many might be shocked to find out that their great-grandparents’ Hangul allowed for spelling such sounds. (Source)

1894, Hangul Finally Becomes the National Script of Korea

Phonemic spelling of Korean, however, did not eliminate ambiguity. The same word could be spelled many different ways. There are actually accounts that Hangul-only texts were more difficult to read than mixed script texts. For example, the word 덮으면 (“if one covers”) in modern spelling could be spelled at least three ways under the conventional spelling of this time: 더프면, 덥흐면, 덥프면. How a Korean word was spelled was up to the whims of the individual printer  for that particular day or hour.

With Hangul becoming the “National Script” (國字, 국자) of Korea in 1894, the necessity of a clear, set spelling rules became soon apparent. This need was compounded by the fact that there were several, different attempts at formulating such rules by private individuals. One notable individual was a doctor named Ji Seokyeong (池錫永, 지석영, 1855-1935) who submitted his own rules to the court. His proposals (新訂國文, 신정국문) included:

  • Spelling of tense consonants with ㄲ, ㄸ, ㅃ, ㅆ, and ㅉ
  • Adding ᅄ and ᅋ to denote “v” and “f” sounds
  • Replacing arae a (·) (아래 아) with =

The controversy grew. Some wanted Korean to be spelled morphophonemically (somewhat phonetic spelling reflective of the underlying etymological root). Others wanted Korean to be spelled like the European languages in a string. The only notable development that was widely adopted and stuck around was word spacing.

In 1907, the Korean government (now a protectorate of Japan) responded by establishing the National Script Research Committee (國文硏究所, 국문연구소) to examine this problem. Its members, some of whom were pro-Japanese collaborators, met several times to discuss standardization of Korean spelling. In 1909, they laid out their plans in the National Script Research Committee’s Proposals (國文硏究議定案, 국문연구의정안). At the time, these were considered radical:

  • Maintenance of the formation of letters into syllable blocks
  • Not restoring the use of obsolete consonants (ㆁ, ㆆ,  ㅿ,  ◇ , ㅱ, ㅸ, ㆄ, and ㅹ )
  • Adoption of spelling of tense consonant as ㄲ, ㄸ, ㅃ , ㅆ,  and ㅉ
  • Maintenance of the letter ㆍ
  • Adding a dot to the side of a syllable to indicate vowel length
  • Allowing the use of ㅈ, ㅊ, ㅋ, ㅌ, ㅍ, and ㅎ as terminal consonants
  • Adoption of the names for the consonant letters as 이응, 기윽, 니은, 디읃, 리을,  미음, 비읍, 시읏,  지읒, 히읗, 키읔, 티읕, 피읖, 치읓
  • Adoption of the order of consonants as ㆁ, ㄱ,  ㄴ,  ㄷ,  ㄹ,  ㅁ , ㅂ,  ㅅ,  ㅈ,  ㅎ,  ㅋ,  ㅌ,  ㅍ,  ㅊ
  • Adoption of the order of vowels as ㅏ,  ㅑ,  ㅓ,  ㅕ , ㅗ , ㅛ , ㅜ,  ㅠ,  ㅡ , ㅣ,  ㆍ

These spelling rules never officially adopted. Within months of the release of the 1909 Proposals, Korea was annexed by Japan. The debate over Korean orthography would, however, continue. Read More

 

That is the question that a group of pro-Hanja advocates has asked the Korean Constitutional Court. The group known as the Korean Language Policy Normalization Promotion Association (語文政策正常化推進會, 어문정책정상화추진회) sued the Korean government over its decades-long Hangul-Only Policy (–專用, 한글전용). The association argues that the Hangul-Only Policy is unconstitutional, and claims that it has lead to a real decline of Korean language competence among the Korean populace. The Korean government’s position is that Hanja is not “Korean” regardless of its long history in Korea. The Korean Constitutional Court has set a public hearing date of May 12.

As a brief recap of history, Koreans originally did not have their own indigenous script and instead used Chinese characters (Hanja) for written communications as early as the Spring-Autumn Period (春秋時代, 춘추시대, 770-403BC). It would not be until 1443, when King Sejong (世宗, 세종, 1397-1450, r. 1418-1450) promulgated the Korean alphabet, Hangul, that Koreans had a script of their own. The King and his scholars created the script to transcribe not only native Korean sounds, but also pronunciations of Chinese characters. (The script originally included letters and specialized provisions just for the latter.)  While some of the elite recoiled at the new alphabet, others  found plenty of value. One of the first uses of Hangul were Chinese character dictionaries and translations of Confucian classics often in mixed script.

In its first four centuries of existence, however, Hangul never gained official status. Contrary to popular belief, Chinese characters continued to used. Hangul was only made the “National Script” (國文, 국문) in 1894. Debates regarding the role of Hangul in Korean orthography soon arose. They would continue even under Japanese colonial rule (1910-1945). During this time period, the first spelling rules for Korean were issued by the colonial General Government. Though never fully banned, using Korean was discouraged especially after 1938 with war mobilization efforts. This lead to a nationalist backlash fueling the perception that Hangul needed to be actively protected. (It should be noted there were a substantial number of Korean independence activists that wrote in Classical Chinese.)

After the liberation, this sentiment manifested in the institution of the Hangul-Only Policy by the South Korean government under President Syngman Rhee (李承晩, 이승만, 1875-1965) in 1948. The Policy specified official documents should be written only in Hangul and Hanja only when necessary. However, this was more of an aspirational statement since it was never actually implemented: official documents were still in mixed script. Furthermore, Hanja education was mandatory from elementary school. It would not be until military dictator and President Park Chung-hee (朴正熙, 박정희, 1917-1979) when the Hangul-Only Policy kicked into high gear in conjunction with other nationalist propaganda. In 1970, President Park removed Hanja from public documents and banned Hanja education from all grades. Due to public outcry, however, he re-instituted Hanja education as an optional elective at the middle school and high school levels in 1972. Hanja still remained absent from all textbooks besides the Hanja elective course. Successive military regimes continued President Park’s language policies. The ban on Hanja education at the elementary school level was only lifted in 1992. Regardless, the effect was that large segments of the Korean population never formally learned Chinese characters and were in fact taught to disregard them as foreign and inferior, leading to a substantial drop in use.

Today, while swept behind the rug of Hangul, Sino-Korean words (i.e., Korean words based on Hanja) account for 60-70% of the Korean vocabulary, with frequency of use ranging as high as 90% in specialized terminology. More than 97% of Koreans have Hanja names, the choice of which is regulated by the Korean Supreme Court. Certain academic fields such as law and history continue to use mixed script. Added to this, learning Hanja and Mandarin has become popular in the past few years. Yet, despite its continued use for over two millennia, under current Korean law (국어기본법), Hanja is just as “foreign” as other scripts that have no comparable history on the peninsula (“한자 또는 다른 외국 글자”). 

So, what should be the role of Chinese characters in Korean orthography today? Unfortunately, nativism, sinophobia, and even wild accusations of pro-Japanese collaborationism from a very vociferous segment of the Korean population have controlled the debate. The stripping away of Hanja in Korean writing and education has lead to spectacularly detrimental results. One particular consequence has been the significant reduction in the scope of collective learning available to Koreans.

For one, Koreans have been disconnected from the writings of their past. And it is not just the distant past that is affected. Thanks to the Hangul-Only Policy, there is now a trove of information published as recently as two or so decades ago no longer easily accessible. For example, many older Koreans that wrote their college theses as late as the 1980s cannot go back to read their own writings, because they wrote them in mixed script. (As another comical anecdote, I also know of even a few from my generation (“millennial”) that cannot read their own journal entries from elementary school since they were written in mixed script!) Furthermore, Koreans have been also isolated from their neighbors that continue to use Chinese characters. It was not that long ago that Koreans, Chinese, and Japanese used to be able to read one another’s newspapers to figure out the gist of the articles. Now, it is only the Koreans that cannot. What is even more worrisome about this growing illiteracy is that Korea’s largest trading partners include countries with large Sinophone populations, such as China, Singapore, Malaysia, and Indonesia.

In short, the Korean government’s Hangul-Only Policy has been disastrous and should be reversed. While the Korean Constitutional Court might not be most appropriate forum (and some of the group’s arguments might be far fetched), any attempts at undercutting this policy are welcome.

Source:

 

Proper Rimes of the Eastern Country

A Chinese character dictionary arranged by tone and rime, the Proper Rimes of the Eastern Country (東國正韻, 동국정운) was one of the very first books published in the Korean alphabet. The still-in-use ㅉ and now-obsolete ㆆ (glottal stop) were originally intended for transcribing Korean and Mandarin pronunciations of Chinese characters. (Source)

Introduction

On October of 1446, King Sejong (世宗, 세종, 1397-1450, r. 1418-1450) promulgated the widely celebrated Proper Sounds to Instruct the People (訓民正音, 훈민정음), explaining the reasoning behind the creation of the new Korean alphabet. The preface begins with the following lines:

國之語音, 異乎中國, 與文字不相流通,
국지어음, 이호중국, 여문자불상류통,

The sounds of our country are different from that of China and its characters do not mutually conform to them.

故愚民, 有所欲言, 而終不得伸其情者多矣.
고우민, 유소욕언, 이종부득신기정자다의.

Therefore, whenever the ignorant have something that they wish to communicate, there are many that in the end cannot express their thoughts.

予爲此憫然, 新制二十八字, 欲使人人易習便於日用耳.
여위차민연, 신제이십팔자, 욕사인인역습편어일용이.

Because of this, I am ashamed, and have newly created twenty-eight letters. I intend that each and every person be able to easily learn and conveniently use them daily.

Almost every Korean schoolchild can recite the first sentence of the preface from memory. (They are actually reciting the vernacular version (諺解本, 언해본), which would actually not be published until 1459, well after King Sejong’s death, and only translates a small fraction of the original Classical Chinese edition.) Not every Korean schoolchild, however, knows or was probably ever taught that the King actually created twenty-eight letters, more than twenty-four currently in use, much less developments in Korean orthography since the famed King’s times. So, what happened to these four letters and what other orthographic developments occurred since then?

Spelling Rules of the Proper Sounds to Instruct the People

The Korean alphabet originally had twenty-eight letters, with seventeen consonants and thirteen vowels. This is three more consonants and one more vowel than the one currently in use. When first introduced, the alphabet was presented in a different order from today:

  • Consonants (17): ㄱ (g), ㅋ (k), ㆁ (ng), ㄷ (d), ㅌ (t), ㄴ (n), ㅂ (b), ㅍ (p), ㅁ (m), ㅈ (j), ㅊ (ch), ㅅ (s), ㆆ (ʔ – glottal stop), ㅎ (h), ㅇ (null), ㄹ (r/l), andㅿ (z). (Note the difference between ㆁ and ㅇ.)
  • Vowels (11): ㆍ (aw), ㅡ (eu), ㅣ(i), ㅗ (o), ㅏ (a), ㅜ (u), ㅓ (eo), ㅛ (yo), ㅑ (ya), ㅠ (yu), and ㅕ (yeo)

After explaining how these letters are to be pronounced, the Proper Sounds to Instruct the People laid out a few rudimentary spelling rules for assembling them into syllable blocks:

  1. For Initial Sounds, Seventeen Letters (初聲十七字, 초성십칠자) – All seventeen consonants can be as the initial sound of a syllable.
  2. For Medial Sounds, Eleven Letters (中聲十一字, 중성십일자) – All eleven vowels can be used as the medial sound of a syllable.
  3. For Terminal Sounds, Eight Letters (八終聲可足用, 팔종성가족용) – The general rule was that all consonants can be used as terminal sound of a syllable (終聲復用初聲, 초성복용초성). The Proper Sounds further specified that eight of the seventeen consonants are “sufficient” (可足, 가족) for use as terminals. These are: ㄱ, ㆁ, ㄷ, ㄴ, ㅂ, ㅁ, ㅅ, and ㄹ. They were thought to be sufficient, because these eight could take the place of other consonants when pronounced at the end of a syllable (e.g., ㅅ for ㅿ, ㅈ, and ㅊ). The Proper Sounds also categorized all the consonants (except ㄹ) between those that can be used as plain, rising, and departing tones (平上去聲, 평상거성) versus those that can be used as entering tones (入聲, 입성).
  4. Pronounce by Combining Initial, Medial, and Terminal Sounds (初中終合成之字, 초중종합성지자) – Letters are to be combined to form syllabic blocks and pronounced accordingly.
    • Double Consonants (各自並書, 각자병서) – Six of the seventeen consonants can be doubled to form: ㄲ, ㄸ, ㅃ, ㅉ, ㅆ, and ㆅ. (Along withㆆ, these were originally intended for transcribing Korean and Mandarin pronunciations of Chinese characters, as such sounds rarely occurred in native Korean words. While ㄲ, ㄸ, ㅃ, ㅉ, and ㅆ are in use today, they did not originally denote the same consonants.)
    • Clustered Sounds (書, 합용병서) – Consonants can be combined to form consonant clusters (e.g., ㅄ). Unlike today, consonant clusters can be in the initial sound and the terminal sound position. Vowels can be combined to form diphthongs (e.g., ㅞ). 
    • Chained Consonants (連書, 연서) – To form light labial sounds (脣輕音, 순경음), the Proper Sounds specified the addition of the letterㅇ beneath the consonant (e.g.,ᄛ(l), ㅱ(w), and ㅸ(v)). Only the letter ㅸ was ever in use. The use of the letter ㅱ was limited to Chinese character dictionaries.
    • Diacritical Marks (傍點, 방점) – One dot (·) to the left indicated that the syllable was a departing tone (去聲, 거성). Two dots (:) indicated that the syllable was a rising tone (上聲, 상성). (This applied to both native Korean words as well as Sino-Korean ones.)

Overall, compared to modern Korean’s spelling rules, these were much simpler and nowhere nearly as specific. (Not to mention, at least one of the very first works in the new alphabet did not even follow some of these rules.) This is apparent in the implicit orthographic principle exemplified in all of the very first works in the new script that Korean was to be spelled phonemically. That is, words were to be spelled according how they were pronounced, regardless of any inflections to the root word. Phonemic orthographies are in general simpler than morphophonemic orthographies in use in modern Korean. Under morphophonemic orthography, words are spelled similarly though not entirely exactly to how they are pronounced so as to be reflective of the underlying etymological root. An example in English are the words “sign” and “signify,” which are pronounced very differently but are spelled similarly to reflect their same etymological root.

Incremental Developments from the 16th to the 19th Century

Hunmongjaehoe

Collection of Characters to Teach the Ignorant (訓蒙字會, 훈몽자회) published in 1527 by Choe Sejin (崔世珍, 최세진, 1468-1542). Note the change in font. (Source)

While not without opposition, the use of the new alphabet spread, then called either Jeongeum (正音, 정음) or Eonmun (諺文, 언문). (The name Hangul (한글) would not be coined until the 20th century.) The royal court received a few petitions in the new script. Confucian scholars translated various Classical Chinese works into Korean, often in mixed script, ranging from Confucian classics to Tang Dynasty poets. Diplomats and interpreters used Korean transliterations to learn foreign languages such as Mandarin, Manchu, Mongol, and Japanese.

Despite all this, partly because of push back from some of the elite, the Korean alphabet only attained a less-than-official status during this period. For example, texts written in the vernacular script (as well as Classical Chinese texts without signatures) were not recognized as proper evidence in court. Koreans who wished to either lend or borrow money had to write the contract in Classical Chinese for their agreements to be effective. Because of its less-than-official status, the government did not view Korean orthography as a priority. Consequently, Korean spelling rules only saw incremental changes, with most of the relatively drastic ones occurring by the early 16th century.

Read More

Hangul Protesters

Hangul exclusivists interrupt a Ministry of Education official meeting to discuss on whether to include Hanja in Korean textbooks. Thanks to their antics, the decision is postponed until next year. (Source)

With the rise in popularity of Hanja education in Korea and calls to expand it, Hangul exclusivists have taken to the streets in vehement protest of these developments. They frequently resort to over-the-top nationalist rhetoric. Among their assertions, perhaps the most bizarre is their attempts to link Chinese characters to the Japanese. In fact, if one reads much of their literature, one would walk away with the impression that Chinese characters were somehow a Japanese creation. They have gone as far out to call the expansion of Hanja education “[an attempt to] obliterate the Korean race” and a “legacy of the Japanese colonial period” as if it did not exist prior to that period. This language can be even found from the head of the Hangul Society (한글학회) himself:

한자병기는 일제가 심어 놓은 민족의식 말살 교육정책의 찌꺼기. 지금 일본이 큰소리치는 것은 한국을 너무 잘 알기 때문이다. 일본이 가르친 대로의 친일의 뿌리가 득세하고 있기 때문이다. 한글 관련 사업을 좀 해보려고 하면 친일세력들이 들어와서 판을 흐트려 놓는다…

Hanja-Hangul mixed script is a leftover of the educational policy planted by the Japanese to obliterate our racial identity. Right now, the Japanese shout so loudly because they know Korea very well. It is because the pro-Japanese collaborators who have done as the Japanese have taught them have gained power. If you intend to work on Hangul-related manners, these powerful pro-Japanese collaborators will shake you down…

(For those that do not know, the Hangul Society is a private organization that contributed to the development of Korean spelling rules, and campaigned and lobbied for Hangul exclusivity since the early-mid 20th century. It should be noted that mixed script predates the Japanese colonial period: the very first works published using Hangul were in mixed script.)

This type of language is all too common from Hangul exclusivists. Sadly, what would otherwise be dismissed as a conspiratorial rambling in more civil settings has been very effective in controlling the Hangul-Hanja debate in Korea. In contrast, the pro-Hanja education side does not resort to such nationalist rhetoric as much. Instead, they typically use internationalist or regionalist arguments by simply making the empirically verifiable observation that Korea’s neighbors China and Japan still use the script.

To knock these Hangul exclusivists off their more-patriotic-than-thou high horses, perhaps a refresher in early modern Hangul history is in order. One particular topic that might be of interest is today’s Korean spelling rules, which the Hangul Society contributed to. Today’s Korean spelling rules are largely the legacy of those spelling rules promulgated by the Japanese colonial general government. There are plenty of Korean sources that acknowledge this. (This post merely wishes to introduce the topic in English.) Many of the integral figures in establishing most of these spelling rules were — drum roll — pro-Japanese collaborators. To get a sense of how integral these pro-Japanese collaborationist figures were to the development of today’s Korean spelling rules, one scholar who is often attributed as coining the very name “Hangul” (한글) is Choe Namseon (崔南善, 최남선, 1890-1957). He is officially recognized by the Korean government as a Japanese collaborator for his contributions in the colonial Historical Compilation Committee (朝鮮史編修會, 조선사편수회), which helped to legitimize Japan’s takeover of the peninsula. Ironically, despite his involvement with the Japanese, Choe Namseon is still very much respected for his contributions to Hangul. He is not an isolated example as there are other figures in the early modern development of Korean spelling rules that were pro-Japanese collaborators. Even the ones who are not officially recognized as pro-Japanese collaborators were educated at Japanese universities.

Before examining this topic, it should be emphasized that while there are many Korean sources on the early modern development of Korean orthography, most do not like to admit this — nor does the Hangul Society, who would like others to forget that some of their predecessors were pro-Japanese collaborators. This is not surprising, given that Hangul is perhaps Korea’s most treasured cultural heritage. As such, when such sources do discuss this period, their treatment is rather interesting. They either begrudgingly concede that the today’s Korean spelling rules were heavily influenced by the Japanese colonial government’s own rules or are baffled as to why the Japanese even bothered with coming up with such spelling rules. For example, the National Digital Hangul Museum, which is otherwise a great resource on Hangul including this period, falls into the latter category. In one of the Museum’s articles on this period, stumped, the author wonders whether Japanese involvement in Korean orthography was a cunning ploy:

식민지를 지배하고자 하는 제국주의 세력은 피지배 민족의 글과 말을 말살하거 사용하지 못하게 하는 것이 일반적인 정책이다. 그러나 일본의 초기적 태도는 달랐다. 의도를 정확히 실증적으로 밝혀낼 수는 없으나, 일제 초기의 어문 정책의 일환이었던 표기법 문제는 그들에 의해서 처음으로 이루어졌다. 짐작만을 해 본다면 그것은 고도의 식민 통치 술수였는지 모른다.

The general policy of imperialist powers wanting to dominate their colonies was to prohibit and destroy the language and script of the subjugated peoples. But Japan’s attitude was initially different. We cannot for sure know their intentions by any evidence, but the issue of [Korean] spelling rules that was a part of Japan’s initial language policy first came into being by them. If we were to guess, this might be an clever stratagem of colonial governance.

This blog will cover this and more in the upcoming posts, which will give a brief overview of the history of Korean orthography from the 15th century to the mid 20th century:

  1. The First Four Centuries of Hangul (15th-19th Century)
  2. National Script Research Committee (19th Century)
  3. 1912 and 1921 Primary School Use Korean Spelling Rules
  4. 1930 and 1933 Korean Spelling Rules
  5. Rhee Syngman’s Spelling Simplification Reforms

Note that this series will assume that readers know Hangul at a rudimentary level. For those readers that do not know the Korean alphabet, the Wikipedia article on Hangul has a decent explanation.

Hangul Mock Funeral

Anti-Hanja education protesters in Korea frequently resort to over-the-top nationalist rhetoric. Here, they are seen holding a mock funeral for the supposed impending death of Hangul. (Source)

Claim: King Sejong created Hangul to replace Chinese characters. Those who seek to expand Hanja education are a mar to his legacy and ought “to apologize King Sejong” (actual title of an article from a major liberal Korean newspaper).

Rebuttal: The very first works commissioned by King Sejong using Hangul were Chinese character dictionaries (plural) and the King himself explicitly stated that the new script was needed to “rectify” Korean pronunciations of Chinese characters. It is extremely unlikely that King Sejong intended to supplant Hanja with Hangul.

Introduction

With the rise in popularity of Hanja education and the recent calls to expand it, some quarters of Korean society have vehemently protested. They often employ over-the-top nationalistic histrionics, asserting that expansion of Hanja education is an affront to King Sejong’s legacy, Korea’s most venerated king. They have gone as far as holding mock funeral rites in front of the statue of King Sejong in downtown Seoul and offering oblations to Korean language textbooks.

But is it actually an affront? The creation of Hangul is no doubt a proud moment in Korean history. Many today presume that King Sejong created Hangul to supplant Chinese characters. Some can cite, by memory, the preface of the document that first introduced Hangul, the Proper Sounds to Instruct the People (訓民正音, 훈민정음) as the sole proof of their belief:

The sounds of our country are different from that of China and its characters do not mutually conform to them. Therefore, whenever the ignorant have something that they wish to communicate, many of them in the end cannot express their thoughts. Because of this, I am ashamed, and have newly created twenty-eight letters, and intend that each and every person be able to easily learn them and conveniently use them daily.

However, the passage above does not explicitly state that King Sejong intended to replace Chinese characters. Furthermore, there is plenty of evidence that suggests otherwise — including King Sejong’s own words.

One Theory on the Creation of Hangul:
As a Means to Transcribe Hanja and Standardize Its Pronunciation

Why King Sejong created Hangul is a topic of discussion in two recently published books about the script: The Invention of Hangul (한글의 발명) by Jeong Gwang and Hangul Wars (한글전쟁) by Kim Heungsik. They both take the position that King Sejong (世宗, 세종, 1397-1450, r. 1418-1450) created Hangul as a means to transcribe Hanja (發音記號, 발음기호) and to standardize its pronunciation. The former book drives this as one of its central points. The latter book explores other hypotheses, but only examines this one at length. Their theses was scoffed at many internet commenters on book review articles. Upon closer examination, however, they are actually well supported. Some of the points made in the Hangul Wars are summarized in this post along with some additional material.

The Korean pronunciations of Chinese characters are based on those used in the Tang dynasty (唐, 당, 618-907) capital of Chang’an (長安, 장안). As time passed by, these pronunciations changed and by the 15th century had significantly diverged from vernacular Chinese pronunciations, which in turn had also diverged from those during the Tang dynasty. These developments were problematic for a number of reasons. For one, the pronunciation of each Chinese character is not indicated from the character itself. Even characters with the same phonetic component radical (部首, 부수) are not always pronounced the same.

Furthermore, the system of transcribing Chinese characters recursively using other characters, known as Fanqie (反切, 반절) or Banjeol in Korean, was somewhat difficult to use. For example, the Banjeol for the character 東(동) is “德紅反(덕홍반, deok-hong-ban)” specifying that the character is to be pronounced using the first consonant of the first character /d/ and the rime of the second character /-ong/ resulting in /dong/ (동). Not knowing the pronunciations of 德 or 紅 would render this dictation useless. Moreover, because it is internally recursive, Banjeol was not too useful for Koreans who needed to learn vernacular Chinese (i.e., Mandarin), which was an important language for commerce and diplomacy.

There was a native script before Hangul called Idu (吏讀, 이두). This script used Chinese characters to transcribe Korean grammatical particles inserted between Classical Chinese clauses. But Idu was not used to transcribe pronunciations of characters and hence was perceived as lacking — although it should be noted that its use lasted well into the late 19th century.

Hunminjeongeum Eonhae

A Vernacular Explanation on the Proper Sounds to Instruct the People (訓民正音 諺解本, 훈민정음 언해본) (Source)

Against this backdrop, King Sejong first introduced the court to Hangul on December of 1443. For sometime, however, there was no other activity at the court regarding the new script. Then suddenly on February of 1444, the King ordered scholars at the Hall of Worthies (集賢殿, 집현전) to translate the Collection of Rimes Ancient and Recent (古今韻會擧要, 고금운회거요), a Chinese rime dictionary compiled during the Yuan Dynasty (元, 원, 1271-1368). A rime dictionary is a Chinese character dictionary arranged by tone (聲, 성) and rime (韻, 운), two features particular to Chinese phonology not Korean. This was no easy task, given the number of Chinese characters there are. And more importantly, this to be the very first work in Hangul. In response, just four days later, a Hall of Worthies scholar named Choe Manri (崔萬理, 최만리, ?-1445) submitted his now-infamous petition in protest of the new script, which he condemned as “a base, vulgar, and useless script (鄙諺無益之字, 비언무익지자).” In his remonstrance, Choe Manri raised six points of contention:

  1. The creation of the vernacular script is contrary to the ways of Chinese civilization.
  2. The creation of a vernacular script is a barbaric act and will make Korea grow distant from China.
  3. The current Idu script is sufficient; the vernacular script will disrupt Neo-Confucianism.
  4. The vernacular script will exacerbate the inequity of administrating punishments, thereby potentially afflicting those who are innocent.
  5. Important affairs should not be carried out in such a rush. (In this section, Choe Manri criticizes the King for not having consulted ministers prior to the order to compile the riming dictionary.)
  6. Princes should focus their attention on Neo-Confucian studies and the vernacular script will add to the burden of their studies.

The petition greatly angered King Sejong, who not only rebuked Choe Manri but also had him and others who supported him sent to jail for a day. Here are the King’s words, as recorded:

汝等云: “用音合字, 盡反於古.”
여등운: “용음합자, 진반어고.”

You all said, “They use sounds based on combined letters, thereby overturning old [customs].”

薛聰吏讀, 亦非異音乎? 且吏讀制作之本意, 無乃爲其便民乎?
설총이두, 역비이음호? 차이두제작지본의, 무내위기편민호?

Is not the Idu script created by Seol Chong (薛聰, 설총, 7th c.) also of different sounds? And again, was not the original intent of creating the Idu script for the convenience of the common people?

如其便民也, 則今之諺文, 亦不爲便民乎?
여기편민야, 즉금지언문, 역불위편민호?

If that [script] was [created] for the convenience of the common people, then should not the current vernacular script (諺文, 언문) also be considered for the convenience of the common people?

汝等以薛聰爲是, 而非其君上之事, 何哉?
여등이설총위시, 이비기군상지사, 하재?

All of you deem [the Idu script created by] Seol Chong as proper, but consider your King’s work to be improper! Why?

且汝知韻書乎? 四聲七音, 字母有幾乎? 若非予正其韻書, 則伊誰正之乎?
차여지운서호? 사성칠음, 자모유기호? 약비여정기운서, 즉이수정지호?

Again, do any of you know about rime dictionaries (韻書, 운서)? For the four tones and seven consonants, how many letters are there? If it is not I who rectifies these rime dictionaries, then who among you will rectify them? 

In the passage above, King Sejong himself not only states that the script is for the convenience of the people (便民, 편민), but also explicitly puts forth his intent to compile a rime dictionary. The King viewed compiling a rime dictionary and rectifying Korean pronunciations of Chinese characters as furthering the welfare of the people, not in conflict with it. That is, unlike the fancies of anti-Hanja education protesters dressed in full mourning gear, who often invoke the King’s name in their protests, King Sejong himself did not view Chinese characters as diametrically opposed to the new script. 

While the records state that a Korean translation of the Collection of Rimes Ancient and Recent was completed, there are no surviving copies. But there were other rime dictionaries made around this period. In fact, one of the very first five works in Hangul is another rime dictionarythe Proper Rimes of the Eastern Country (東國正韻, 동국정운). Based on the Ming dynasty rime dictionary Proper Rimes of Hongwu (洪韻, 홍무정운), this dictionary listed Chinese characters by their reconstructed or “proper” Korean pronunciations. That is, these Korean pronunciations were not those that were in actual use, but those that the Hall of Worthies scholar thought should be based on their reconstruction of older pronunciations. For example, entering tone characters (入聲, 입성) were originally pronounced with /-p/, /-t/, and /-k/ consonant endings, but in Korean the /-t/ ending for whatever reason had morphed to /-l/ (ㄹ). (There are several theories as to why this occurred.) In the Proper Rimes of the Eastern Country, these are listed with /-lʔ/ (ㅭ) as a compromise between the contemporary and historical pronunciations. Although very few Hangul works adopted these pronunciations, the rime dictionary represented King Sejong’s attempts to standardize the Korean pronunciation of Chinese characters.

The Proper Rimes of the Eastern Country was not the only work in Hangul concerning Chinese characters. King Sejong ordered the compilations of the Proper Rimes of Hongwu itself and an abridged version of the work, both with Mandarin pronunciations of characters transcribed in Hangul. The abridged version titled An Extensive Study of the Four Tones (四聲通攷, 사성통고) was completed sometime during King Sejong’s reign, but there is no existent copy of this work. The Transliteration and Glossary of the Proper Rimes of Hongwu (洪武正韻譯訓, 홍무정운역훈) was completed within a decade of the creation of the new script in 1455. (Not surprisingly, one pre-modern name for Hangul was “Banjeol because of its frequent use in transcribing pronunciations of Chinese characters.)

Turning to the question of “convenience for the common people,” rime dictionaries are not exactly something that a 15th century Korean commoner would use on a daily basis, even if literate: they are mainly intended for composing poetry. So, when was the first work in Hangul for the direct benefit of the common people published (that us moderns would recognize)? King Sejong certainly did order the compilation of such works before Hangul and no doubt thought of this issue when creating the script. But their translations do not appear among the very first books in Hangul. Songs of Dragons Flying to Heaven (龍飛御天歌, 용비어천가) were poems in praise of ancestors of the royal family; Detailed Episodes on the Record of Sakyamuni (釋譜詳節, 석보상절) and Tunes of the Moonlight Imprinted on a Thousand Rivers (月印千江之曲, 월인천강지곡) were Buddhism-inspired texts compiled in honor of the deceased Queen Soheon (昭憲王后, 소헌왕후, 1395-1446). It would not be until 1481, almost forty years after the creation of Hangul and thirty years after King Sejong’s passing away, that a work arguably identifiable as directly for the common people was published: the Illustrations of Applications of the Three Bonds (三綱行實圖, 삼강행실도). Originally compiled in Classical Chinese and with drawings, this was intended as a series of lessons on exemplary Confucian virtues.

The sequence of these events insinuates that the ability to transcribe Chinese characters and standardize their pronunciations using Hangul was of a higher priority to the royal court.

Banjeolpyo

Banjeol Table (反切表, 반절표), arranged by 15th century Korean scholar Choe Sejin (崔世珍, 최세진, 1468-1542). (Source)

Conclusion

Hangul today is regularly portrayed as in contrast or conflict with Hanja. Especially in the current Hanja education debate in Korea, those who advocate for expansion of Hanja education are often vilified as somehow less patriotic and as an embarrassment to King Sejong’s legacy. Such a narrative, however, not only does injury to the rich patrimony of Hangul but is also contrary to one of the many explicit reasons for the creation of Hangul given by King Sejong himself, namely the transcription Chinese characters and standardization of their Korean pronunciations. Given these set of historical facts, the more-patriotic-than-thou grandstanding and invocations of the King’s name by these Hangul exclusivists are thoroughly misplaced.

4-19 Democracy Movement

Students carrying the banner “Defend democracy to the death!” (民主主義死守하자!) in front Seoul City Hall during the April 19th Revolution that culminated in the resignation of President Rhee Syngman.

On May 2, not too long after the anniversary of the Sewol sinking, an article in the Korean news website OhmyNews seriously asked, “If we said 인양(引揚) instead of 인양, would we know what that means?” (‘인양’을 ‘인양(引揚)’이라 하면 알까). This was in reference to the government’s plans to recover the sunken Sewol. The article’s main target, however, is about the Education Ministry’s discussions to bring back Hanja mixed textbooks. Predictably, the article is so poorly thought out that it is difficult to consider where to begin the rebuttal. Besides the invocation of the Sewol tragedy (which I will assume for the benefit of the doubt to be misguided and not opportunistic), the editorial makes a number of ridiculous contentions, including misleading statistics regarding support of Hanja education (48.5% support is still a lot) and hypocrisy over English education. This post will focus on the article’s imaginings about the link between Hangul and democracy (“한글민주주의”):

거칠지만 민주주의를 계층이나 연령의 차등과 차별을 최소화한 이념 체계로 정의해 보자. 이를 전제로 할 때 한글은 일부 지배층의 언어인 한자나 한문보다 민주주의의 보편성에 상대적으로 더 잘 부합하는 문자 체계라고 볼 수 있지 않을까…

Let us roughly define democracy as the ideology that most minimizes the discrimination and ranking by socioeconomic class or age. Under this premise, can we not consider that compared to Hanja or Hanmun, the language (언어) of the ruling class, Hangul is not the script (문자) that relatively better conforms to the egalitarianism of democracy? …

The article’s primary basis for equivocating Hangul to democracy is that “Hanja was traditionally the ruling class’ script.” The article seems to be blind to Korea’s linguistic policies in the modern era, and has to lackadaisically stretch all the way back to days of the Chosun dynasty to look for a blanket argument. While it may be true that statistically literacy was largely limited to the ruling classes prior to the modern era in Korea, this was the case all over the world before the industrial revolution — even with Hangul, which first spread among the noblewomen. Due to its infatuation with pre-modern Korea, the article misses the fact that Hangul exclusivity is primarily a legacy of autocratic regimes in both North and South Korea.

October 9, 1969 Edition of the Dong-a Ilbo (東亞日報, 동아일보).

An article announcing President Park Chunghee’s plans for Hangul exclusivity in the October 9, 1969 Edition of the Dong-a Ilbo (東亞日報, 동아일보).

Contrary to the article’s imaginings, Hangul exclusivity came at the behest of not-so-democratic strongmen. In North Korea, President Kim Ilsung banned Hanja from official texts beginning in 1948. In South Korea, the military dictatorship of Park Chunghee embarked on a “Five Year Hangul Exclusivity Plan” (한글전용 5개년 계획 안) starting in 1968 and banned Hanja from all public education that year. While both men are remembered for many things (e.g., the latter for vastly improving South Korea’s economy), neither are remembered as being champions of democracy. President Park Chunghee’s original plan was to completely eliminate Hanja by 1972, but because of public backlash had to adjust course. He tweaked his original plans by making Hanja education optional in middle and high schools. Nevertheless, he maintained the ban on use of Hanja outside of Hanja textbooks and the prohibition of Hanja education in elementary school. Moreover, subsequent military dictatorships continued President Park Chunghee’s Hangul exclusivity policy. The result was that large portions of the Korean populace never formally learned Hanja, contributing to its precipitous decline during this time period.

In stark contrast to the underlying presumptions of the article, this anti-Hanja policy changed only after the end of the military dictatorship and transition to democracy. For example, the ban on Hanja education in elementary schools was lifted in 1992 (shortly before I started learning Hanja in an elementary school where it was taught). Not to mention, Nobel Peace Prize winner President Kim Daejung, remembered for his advocacy of democracy, spent some time during his presidency actively attempting to reverse Hangul exclusivity, and introduced incentives for students to study Hanja.

It should be noted that it is not as if other Hangul supremacists are wholly unaware of this dark side of Hangul’s modern history. Indeed, some Hangul supremacists do not even pretend at all that there is such a link between democracy and Hangul. A few years ago, one Hangul exclusivist linguistics professor from Seoul University in fact told his fellow exclusivists, “I very much hated President Park Chunghee because he was a dictator. But I can forgive all of his misdeeds because he imposed Hangul exclusivity,” and urged them to do the same (“나는 박정희 대통령이 독재를 했으므로 아주 싫어했다. 그러나 한글전용을 시행했으므로 그의 모든 것을 용서해 줄 수 있다”). Essentially, they are so fervent about Hangul exclusivity that they would excuse the trampling of democracy and human rights.

Given Hangul exclusivity’s recent history and concession by other Hangul supremacists, the article’s assertion that Hangul is somehow linked to democracy is laughably contemptible. Furthermore, from a democracy aspect, Hangul exclusivity is especially troubling because it is so closely tied to expression. Indeed, Hangul exclusivity has severely limited the degrees of freedom in Korean expression in writing by two orders of magnitude, from 2,000 plus to little over 20. If democracy is seriously to be considered in linguistic policy, this distressing statistic should be taken into account.